9. At the Palazzo she had been confined to her own sunny windowed quarters most of the time, but she had the entire run of the inside of the manor. “We are, or rather we were, so much alike then that the portrait of either of us would have done for the other. I seek chaos, but not out of choice. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery.
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