What had actually beaten him was not to have known if someone had picked up his trail. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. Courtlaw found himself ushered without questions into Annabel’s long low drawing-room, fragrant with flowers and somewhat to his surprise, crowded with guests. It was dangerous for her to dare approaching him and she knew the tremendous risk she was taking, but a part of her demanded that he be found. Great vistas of history opened, and she and her aunt were near reverting to the primitive and passionate and entirely indecorous arboreal—were swinging from branches by the arms, and really going on quite dreadfully—when their arrival at the Palsworthys’ happily checked this play of fancy, and brought Ann Veronica back to the exigencies of the wrappered life again. Why don’t you just tell me what is going on with you! Why the police questioned you! Why they’re looking for your mother? I’ll understand! Just tell me and I swear to God Lucy I’ll understand. The idea of Ruth as a talisman against misfortune—which he now recognized as a sick man's idea— faded as his appreciation of the absurd reasserted itself. Ann Veronica was not aware of this literary side of her teacher; she had a little tinge of annoyance at Miss Garvice’s advantage. I think John 42 will be there.
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