They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. ‘I disgust you, eh? Very well, then. What his head conceived his hand executed. A gaunt, powerful man: no feature of his face decided, and yet for all that it had the significance of a countenance hewn out of rock. That is a part of the show in Hong-Kong.
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