Do look at this tragedy in mauve, who has just come in. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. Sebastian knew a dozen languages and could speak them fluently, plus he had an aptitude for numbers that Gianfrancesco did not. She realized more and more the quality of the brink upon which she stood—the dreadful readiness with which in certain moods she might plunge, the unmitigated wrongness and recklessness of such a self-abandonment.
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