“Number 13, please, cabman. He was unusually absurd and ready, and all the time it seemed to Ann Veronica as a delightful possibility, as a thing not indeed to be entertained seriously, but to be half furtively felt, that he was being so agreeable because she had come back again. 'Whoso giveth to the poor lendeth to the Lord;' that's my comfort. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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