She turned about, and was persecuted by visions, half memories, half dreams, of Ramage. Framed in one of the square ports of the packet was a face which reminded Ah Cum of a Japanese theatrical mask. “Don’t fence with me,” Anna cried fiercely. They even threatened to cut the traces and take off the wheels from the carriage. She was with these movements—akin to them, she felt it at times intensely—and yet something eluded her. “I did it for love of you,” he said. Both the fugitive and his chasers embarked on the Thames.
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